Theme of Death in White Noise Essay examples -- White Noise Don DeLill

snow-white Noise Death is probably the most feared word in the English language. Its undesired uncertainty threatens companionships desire to believe that sprightliness never ends. don DeLillos novel White Noise tells the odd story of how bullshit Gladney and his family illustrate the postmodern ideas of religion, close up, and popular culture. The theme of deaths influence over the character mentality, consumer modus vivendi, and media cosmosipulation is used lots throughout DeLillos story.Perhaps, the character most responsive to death is diddlysquat Gladney. In fact, he is so consumed by his fear of death that his modal(a) thought processes are often interrupted by the unbelief Who forget die first (DeLillo 15)? In Jacks mind This nous comes up from time to time, like where are the car keys (DeLillo 15). Jack finds the line of death to be very noniceable and real, and he relies on his consumer modus vivendi as an escape from his fear of death.Jack uses the superma rket as his base for his consumer life-timestyle and a vest to escape, which is validated by the interpretation of his friend and blighter Murray Siskind. Murray views the supermarket as nigh a holy prat, an atmosphere with rays and white folie everywhere. Its full of psychic data.Everything is concealed in symbolism, unknown by veils of mystery and layers of cultural materialThe large doors slide open, they close unbidden.All the letters and numbers are here, either the colors of the spectrum, all the voices and sounds, all the code words and ceremonial phrases. It is just a question of deciphering, rearranging, peeling off the layers of unspeakability. We fatiguet have to cling to life artificially, or to death for that matter. We simply walk toward the sliding doors. Waves and radiation. Look how light the place is. The place is sealed off, self-contained. It is timeless. Here we dont die, we shop. But the difference is less marked than you think (DeLillo 37-38). lav N. Duvall, author of The (Super)Marketplace of Images Television as Unmediated intermediation in DeLillos White Noise, believes that Murrays interpretations become Jacks convictions Murrays speculations, Jacks experiences (143). Drawing on Murrays speculations, Jack embraces Murrays analysis as a truth and uses the supermarket as security, a place where colors and names always in the same place, a place where ... ... profoundly important questions about death, the afterlife, God, worlds and space, yet they exist in an almost Pop Art atmosphere(268).By treating these false tracts of literature as near sort of god, consumers can escape the reality of death since the content is not in day to day, ordinary life. Death is a fear that has attacked the minds of man since the beginning. For years people have treated death as a unspeakable occurrence, and White Noise shows those desperate attempts through postmodern imagery. gibe to Don DeLillo, death is an assailant that creeps its way int o the subconscious of society but is prevented from tainting the gratification of life by way of the postmodern army- technology. work CitedConroy, Mark. From Tombstone to Tabloid Authority Figured in White Noise. pass judgment 35.2 (1994) 97-110.DeLillo, Don. White Noise. New York Penguin Books 1999.Duvall, John N. The (Super)Marketplace of Images Television as Unmediated Mediation in DeLillos White Noise. Arizona Quarterly 50.3 (1994) 127-153.Maltby, Paul. The Romantic Metaphysics of Don DeLillo. ContemporaryLiterature 37.2 (1996) 258-277.