All is quiet. An undying heat settles upon the sand as a ironic wind silently glides over the earth, creating a mercurial salmagundi of dirt and air. Hardly a sign of conduct is view equal to(p) through the thick and oppressive haze. at that place is only an perpetual sea of shifting dunes that extends into the horizon, stretching towards eternity. This is the bear away from, an oasis of nature unaffected by society?s disregard and the setting for much(prenominal) of Nadine Gordimer?s novel The Pickup. Throughout the line of credit of the book, this environment takes on a unique yet evenly significant symbolic meaning to the central characters Julie and Ibrahim. The Pickup uses Julie and Ibrahim?s interaction with the devastate in order to demonstrate the contrastive cultures of both, and thereby gives sixth sense into their mutual struggle for in advertability in the world. When Gordimer first introduces the point of the give up in the novel, the distinct cultures of Julie and Ibrahim as well as their blatant ignorance of these differences becomes apparent. Julie?s only exposure to the vast and waste material discontinue of Ibrahim?s country has been through idyllic photographs and imaginings. To her knowledge, the desert is a ?picture-postcard place? of perpetual heat? (p.153), making Ibrahim ?a cut-out from a background that she surely imagines only wrongly. Palm trees, camels, alleys hung with carpets and presidency vessels? (p.25).
It is non until their shared voyage to Ibrahim?s home that Julie is able to distinguish between fact and fiction. Struck by the absence of the familiar palm trees assumed to coat t! he wasteland, Julie is forced to assess her former judgment of the man known as Abdu, masking him real for the first time as Ibrahim. However, Ibrahim?s encounters with the desert intellect his internal struggles with identity to culminate. From the beginning, Ibrahim?s total condescension for... If you indispensableness to get a full essay, order it on our website: OrderCustomPaper.com
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