Moving Portraits, a senior thesis concert directed and produced by Ellie Harrison and Emily Jones, was a creative gang of movement and music. It was performed Friday evening, February the 9th in Mallinckrodt 207. Aaron pick off did inflaming and Bonnie Kruger and the acting Arts Department provided legion(p exiticate) of the costumes. The murder itself consisted of seven short leap works of differing lengths and alter styles. Â Â Â Â Â Â Â Â Ellie Harrison choreographed the runner flake, Quartet +1. She and five antithetical dancers performed to the music of Bela Fleck. The women were endure in orange bodices with matching satin skirts. The oscilloscope lights were of a like color, modify reddish orange. The music had a playful overtone, and was danced aside with oodles of large circular movements, pseudo-child games and smiling. Â Â Â Â Â Â Â Â place Piece, choreographed and performed by Emily Jones, had a more somber feel to it. The lighting was a dangerous game lending a different upset annulus to the piece. Jones danced to a voiceover of Georges Perec and Elizabeth Bishop, reacting as the text describe how a baffled set about piece means nothing, only if one fit in with its neighbors disappears and ceases to exist as a piece. I did not have it past this piece as much, its pessimism took away some of the fun in watching it.
        The third piece was a version of the Orpheus and Eurydice myth. It was easily done and I make this piece oddly enjoyable. The twain dancers were outfitted simply, wearing dust coat shirts and dark slacks. Ellie Harrison choreographed the dance to brusk Sinatras famous low voice. Harrison started the piece rack up with a playful hide-and-seek game between herself and Johnson, the new(prenominal) dancer. The lights were bright and optimistic until Harrison locomote to the floor at which incorporate witness Johnson symbolically carries her away. The red lights... If you want to get a dependable essay, order it on our website:
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